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Film Analysis: Sleaford Mods' Jason Williamson Takes On Character in Sceptical Examination at Ecstasy Generation Era

Produced by Portishead co-founder Geoff Barrow, this sharp-edged if slight first film casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to break into his own parents. In no time, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward townies, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Duel

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The central theme – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Woodsman turns up, fuming after David kills his dog. Still, a darkly funny duel takes hold – David desperate to escape; the Poacher denying his container of cider, determined to dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

Just a single key story turn, but it leads to a comically executed chaotic run on the forest trails that veers toward rural terror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now lets rip with the full lysergic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

The film releases in British and Irish theaters from 17 November.

About the author

Amanda Sampson

A tech journalist and startup advisor with over a decade of experience covering Silicon Valley trends and emerging technologies.

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